5/27/2023 0 Comments Roadmovie font![]() of Pennsylvania), the editors of this excellent collection, ably demonstrate. But this is national chauvinism on the part of the US, as Duarte (Univ. 'The road movie, in which one person or a group of people hits the road in search of adventure, has often been described as a uniquely American subgenre. In its quest to expand the genre’s scholarly canon with more extensive travels, it broadens the horizon-just as any good road movie does.' David Laderman, Film Quarterly, Spring 2019 ![]() ' Duarte and Timothy Corrigan’s co-edited volume, The Global Road Movie: Alternative Journeys around the World, effectively captures the best of current road movie scholarship, inviting readers to follow the genre further still… The Global Road Movie, in sum, reaches far and wide to make known a rich diversity of road movies from around the world. Riley, East Asian Journal of Popular Culture 5.1 The diversity of contributors, approaches and films discussed in The Global Road Movie goes some way towards proving this claim.' John A. In their introduction, Corrigan and Duarte state that "there is perhaps no film culture across the globe that has not embraced the road movie". 'In addition to this eclectic focus on Asia, other sections consider the road movies of The Americas, Africa and Europe, issues as wide-ranging as the thawing of US–Cuban relations, the debate about Afropolitanism in representations of Africa and the traces of Romanticism found in the contemporary British road movie. HodappĬhapter 5: The Road and Transatlantic Currents in the Cinema of Licínio Azevedo by Sara BrandelleroĬhapter 6: The Palestinian Road(block) Movie: Interrupted Journeys in Elia Suleiman’s Divine Intervention by Drew PaulĬhapter 7: Song of the Big Road: Negotiating Scale in the Road Films of Twenty-First-Century India by Lars Erik LarsonĬhapter 8: Provincializing the Road Movie: Realism, Epic and Mobility in Ritwik Ghatak’s Ajantrik by Moira WeigalĬhapter 9: Navigating Gender, Ethnicity and Space: Five Golden Flowers as a Socialist Road Movie by Ling ZhangĬhapter 10: Genre at a Crossroads: The Korean Road Movie by Joseph PompĬhapter 11: Wrong Side of the Road: Crossing Cultures, Traversing Forms and the Blackfella Road Movie by Keith BeattieĬhapter 12: Et in Arcadia Ego: Precarious Romaniticism and the English Road Movie by Neil ArcherĬhapter 13: Bumps on the ‘Road to Europe’: Remaking the Road Movies and Re-mapping the Nation in Post-2004 Central Europe by Micheal Gott and Kris Van HeuckelomĬhapter 14: The Road Movie in Portuguese Cinema by Filipa Rosário Introduction: From American Roads to Global HighwaysĬhapter 1: Learning to Drive: Midcentury Guidance Films and the Middle-of-the-Road Politics of the American Road Movie by Devin OrgeronĬhapter 2: The Colombian Road Movie: Uses and Abuses of a Film Genre by Jamie CorreaĬhapter 3: Notes on a Journey from Guantánamo to Havana: Guantanamera Revisited as Winds of Change Hit US-Cuba Relations by Hermínia SolĬhapter 4: Departing from Anti-Colonialism, Arriving at Afropolitanism: Africa United as an African Road Movie by James M.
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